Happy coincidence and personal enthusiasm were the main promoters for an unusual doctoral workshop which I recently co-organized at the University of Basel, together with my colleague Prof. Bilgin Ayata. We invited two acclaimed film directors, Lordan Zafranović from Prague/Zagreb and Nezahat Gündoğan from Istanbul, to watch and discuss their documentaries on genocidal violence in their home countries Croatia and Turkey, with the aim to explore, in a gendered approach, their visual methods as a means to negotiate violence and memory both from the victim's and the perpetrator's perspective.